Sarah's Stories: Healing and Forgiveness in Helen Nzete's "The Year of Knots"

We are delighted to present Helen Nzete's latest exhibition, "The Year of Knots." This powerful and contemporary showcase beautifully explores themes of healing and forgiveness through the intricate metaphor of Knots. Inspired by the touching story of a young boy named Dubem, this exhibition follows Helen's landmark "V is for..." which embraced a distinctly feminine viewpoint (Artist in Focus: Helen Nzete). Once again, Nzete’s acute societal observation and deep self-reflection invite us to unravel the tangled threads of our past and embark on a journey toward self-forgiveness and understanding. In a polarized world, "The Year of Knots" stands as a beacon of hope, encouraging us to heal, speak out, and connect through the transformative power of art.

Unraveling the Inspiration

Helen Nzete’s motivation for “The Year of Knots” stems from a desire to delve into the complexities of human behavior and the underlying factors that shape us as individuals. Through her art, Nzete confronts the realities of our everyday lives, encouraging us to consider how our childhood experiences influence who we become as adults. “The Year of the Knot is a metaphor; The Knots represent trauma. Trauma from past experiences mostly from childhood. This is the Year to heal, this is the Year to forgive, to forgive yourself, to speak out.” By addressing these themes, Nzete's work prompts a reflective journey towards understanding and healing.

The exhibition’s vernissage took place in mid-July in Abuja, Nigeria’s capital, sparking strong emotional responses from viewers, as outlined by Segun Ade-Martins in his review of the event, emphasizing its impact. The buzz throughout the rooms—filled with murmurs, laughter, and even the presence of children—reflected the dynamic and engaging nature of Nzete’s work. It wasn’t simply an exhibition; but an immersive experience that captivated and resonated with a diverse audience. For the art enthusiasts interested in the opening event and Nigeria’s art scene, please refer to Ade-Martins’ article. 

Faces and Stories: The Start…and Highlights of the Exhibition

Nzete’s exhibition features a variety of works that each tell a unique story. Let’s take a closer look at some of the standout pieces:

"Dubem"

In "Dubem," Helen Nzete uses vibrant colors and textures to depict the resilience and hope of an autistic boy amidst severe abuse, showing his journey towards healing and love. The layered floral elements symbolize growth and renewal, emphasizing the transformative power of compassion and understanding.

“I have always wanted to have an exhibition on the rights of children but kept pushing it off until I encountered Chidubem” says Helen.

“Ties that Bond” 

In this striking piece, Helen Nzete masterfully uses Plaster of Paris, ropes, and acrylic to symbolize the delicate balance of family relationships. The serene face and guiding hands represent the support and influence we receive from others, while the colorful acrylic threads highlight hope and resilience. This artwork invites viewers to reflect on the intricate bonds that shape our lives. We have to confess, one of our favorite pieces.

“Unseen”

In "Unseen," Helen Nzete highlights the resilience and determination of children often overlooked and neglected within family settings. This powerful piece tells the story of their strength and the lasting impact of their struggles. By capturing their journey, Nzete sheds light on how these early experiences shape their lives as adults.

The Unique Appeal of Nzete’s Work

Helen Nzete’s exhibition stands out for several reasons. Her innovative use of materials—ranging from paper and fabric to rope, acrylic, gold leaf, copper wire, and bronze leaf—demonstrates her fascination with both the process and outcome of her creations. The symbolic use of ropes in her works adds a philosophical dimension, representing the connections and ties that bind us in life. This recurring motif encourages viewers to contemplate the significance of these connections in their lives. "Some works feature faces in relief mounted on the picture plane," notes Jerry Buhari, Professor of Fine Art at Ahmadu Bello University, Zaria, a renowned Nigerian Fine Art university. This underscores Helen’s artistry, reflecting her Sculpting major and innovative approach to art.

Helen Nzete’s “The Year of Knots” is a remarkable exhibition that delves into the depths of human experience and identity. Her innovative use of materials, symbolic elements, and thoughtful presentation make this show a standout in the art world. 

Above all, the exhibition advocates for children and healing, addressing trauma and resilience in a way that has never been more essential. Nzete emphasizes acknowledging and healing past wounds, promoting a future where children can grow free from the burdens of unaddressed trauma. Discover the transformative power of “The Year of Knots” on Helen Nzete's page and join the conversation on Instagram and Facebook to share your thoughts and support this vital cause.

As we publish this blog, we extend our deepest sympathies to Nigerians, our friends, and all those affected by the recent events in Nigeria, and we hope for peace and healing in these challenging times.