Artist in Focus: Hawa-Jane Bangura
Hawa-Jane Bangura is a visionary artist from Sierra Leone whose work defies boundaries and redefines narratives. With a journey that spans studying art in the UK and the US, earning a law degree, and pursuing a legal career in New York, she has channeled her diverse experiences into rebuilding Sierra Leone’s art scene as a co-founder of the Barray Art Collective. Through her art, she explores themes of identity, representation, and African history, proving that creativity can thrive even in the face of adversity and inspiring audiences to see the world, and themselves, through a new lens.
“Blue” (2024), 24 x 24 inches (60 x 60 cm), acrylic on canvas.
Blending Traditional and Digital Worlds
In a world increasingly embracing digital art, Bangura has found new dimensions to her creative process through her involvement in the NFT space, notably with collectives like 1mA and Cyberbaat. Her physical paintings often serve as the basis for her digital creations, and the digital realm allows her to explore new possibilities.
“When creating any painting, there are an infinite number of possibilities presented in terms of colors, composition, style, etc.,” she says. “Digital art allows you to make and reverse changes to your work with a click, and I often digitize my work in the course of creating it to explore the options.”
Bangura’s excitement about the digital art scene is palpable. Participating in the inaugural Art Dubai Digital in 2022 was a highlight, as it allowed her art to reach global audiences instantly—a testament to how technology is reshaping the art world.
Redefining Identity Through Art
Identity is a central theme in Bangura’s work, especially the stories of African women. Her art challenges stereotypes and offers alternative perspectives on African identity. “As an African (or Black) woman, there are many stereotypes and stories out there that try to define and limit us in terms of our abilities, aspirations, characteristics, contributions, and so on,” she shares. “I like to shine a light on the lesser-known stories and imagery so that we (and others) can see ourselves from a different perspective.”
One of her most compelling projects is the “Black Athena” series, inspired by the controversial book of the same name by Martin Bernal. Bernal's “Black Athena” argues that Greek civilization was deeply influenced by African and Near Eastern cultures, sparking widespread debate. Bangura's series reimagines iconic Greek and Roman goddesses as African women, drawing on theories about the African origins of ancient civilizations. “The works are intended to be viewed as an expression of artistic license rather than a statement of historical fact or political motivation,” she explains. While the series is still a work in progress, it exemplifies Bangura’s ability to challenge traditional narratives and encourage viewers to reconsider historical and cultural assumptions.
“The Black Athenas I: African Medicine” (2022), 48 x 60 inches (121 x 152 cm),acrylic on canvas. Price upon request.
The Evolution of an Artistic Style
While Hawa-Jane’s formal studies didn’t immediately lead her to a career in visual art, they provided a foundation in art history and current movements that informs her work today.
“Even though I did not go into the visual art profession immediately, I believe that my studies gave me a solid foundation for the work that I am doing today as well as an appreciation for art history and current art movements,” she explains.
Her style has evolved over time, driven by continuous experimentation. “I anticipate that it will evolve in the future, as I do,” she says, reflecting the dynamic relationship between her personal growth and her art.
Her choice of medium often depends on practicality and the message she wishes to convey. Acrylics on canvas remain her primary medium due to their versatility, but she also uses sculpture and installation art to create interactive pieces that spark meaningful discussions. Interestingly, none of her sculptures or installations are created for sale; they serve solely as vehicles for profound messages and community engagement.
The Role of African Art in Global Narratives
Looking ahead, Bangura is optimistic about the future of African art and its role in shaping global narratives. She believes that African artists have unique and innate creativity that, if nurtured, can compete on a global stage.
“There are so many misconceptions and negative stereotypes about what it is to be African, mainly perpetuated by the dominant western media,” she notes. “The artist’s mission is, in part, to demonstrate the depth and diversity of who we are, whether through music, film, literature, visual art, etc. This is what will change the global narrative.”
“Wisdom of the Ancients IV” (2025)”, acrylic on canvas, 24 x 36 inches (60 x 90 cm).
This artwork incorporates the Bassa alphabet, an indigenous script from Sierra Leone.
Hawa-Jane Bangura’s work is not just art—it’s a movement. By redefining African narratives and pushing creative boundaries, she inspires us to see the world through a richer, more inclusive lens. Discover her artworks on unx-art and tell us what you think of her narrative? Share your thoughts and join the conversation on Instagram and Facebook—we’d love to hear from you!"
